Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout—involving more than one hundred extras and three colliding taxis—in the heart of New York’s diamond district? What does it take to keep the studio honchos happy? From the first rehearsal to the final screening,
Making Movies is a master’s take, delivered with clarity, candor, and a wealth of anecdote.
For in this book, Sidney Lumet, one of our most consistently acclaimed directors, gives us both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on forty years of experience on movies that range from
Long Day’s Journey into Night to
The Verdict—and with such stars as Katharine Hepburn, Paul Newman, Marlon Brando, and Al Pacino—Lumet explains how painstaking labor and inspired split-second decisions can result in two hours of screen magic.
It''s well known that a vast number of people work on any given movie in roles as varied as writing scripts, choosing locations, dressing sets, costuming the players, lighting scenes, manipulating the camera, directing actors, editing film, working on sound, advertising the finished product, and screening it to an audience. Have you ever thought about how these components are collated? Or why the director is most often considered the author of a film? Wonder no more, because Sidney Lumet''s
Making Movies is a terrific journey through each stage of filmmaking that is overseen by the director. Lumet, the veteran director of
Twelve Angry Men,
Dog Day Afternoon,
The Verdict, and many other fine movies, knows the ins and outs of American filmmaking as well as anyone. In this excellent, personable account, Lumet tells what he''s learned about making movies in the course of the last 40 years. He shows why fine directors need to have strong imaginations, extraordinary adaptability, and skill in many different fields. His enthusiasm for his life''s work, particularly his love of actors, is evident on every page of this book. As Herculean as the labors of film directing are, Lumet takes great pleasure in his work, almost guiltily admitting that the film director''s job is "the best in the world."
Lumet, the acclaimed director of such films as Dog Day Afternoon and Network, presents an anecdotal insider''s account of the key elements in filmmaking.
Copyright 1996 Reed Business Information, Inc.
“Film would be a better place if every director were required to share with other romancers of film his process. It is a gift to us all that it is Sidney Lumet, one of American’s greatest filmmakers, who is sharing his point-of-view.” —Stephen Spielberg
“Invaluable. . . . I am sometimes asked if there is one book a filmgoer could read to learn more about how movies are made and what to look for while watching them. This is the book.” —Roger Ebert,
The New York Times Book Review
“Remarkable . . . . as dignified as the movies [Lumet] has made and yet deeply felt and very moving. . . . Anyone who truly loves movies ought to read what he has to say about them. . . . Delightfully engrossing.” —
Los Angeles Times
“The film bible from a master. It tells in meticulous detail the step-by-step process of making a movie. You feel you’re on the set. A must.” —Quincy Jones
“Full of energy, enthusiasm and wisdom. . . . It’s all engrossing because [Lumet] speaks so fervently and opinionatedly about matters on which he has earned the right to opinions.” —
The New Republic
America''s most acclaimed directors comes a book that is both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on 40 years of experience on movies ranging from Long Day''s Journey Into Night to The Verdict, Lumet explains the painstaking labor that results in two hours of screen magic.
Sidney Lumet’s films have received more than fifty Academy Award nominations. He has been nominated by the Directors Guild of America for Best Director seven times. In addition, he has received an honorary lifetime membership in the Directors Guild of America as well as its most prestigious award, the D. W. Griffith Award. In 1993, he received the Lifetime Achievement Award from the National Arts Club. His films have been shown in retrospectives at the Museum of Modern Art in New York, the American Museum of the Moving Image, the British Academy in London, and the Cinémathèque in Paris. He has also been honored by the French government as a Commander of Arts and Letters. He died in 2011.